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| 5. Bugmaster
 
This show has a great premise: a kid gets stuck in the virtual
world of... well, The World, a massively-multiplayer online RPG. However, as any
Everquest player knows, those type of games tend to consist mostly of two
things: a) people walking around, and b) people chatting. For some inexplicable
reason, .hack//SIGN chose to focus on those two aspects of online gaming.
Most of the series (and I really mean about 80%) consists of still shots of two
characters talking to each other; their lips move a little but that's about it.
To make matters worse, they are not actually saying anything interesting. The
characters, such as they are, alternate between making speeches at the viewer,
and reciting the game manual from memory. So, since
the animation and the story are a failure, the only redeeming point of the series
is the soundtrack, right ? Wrong. While the music itself IS very good, it almost
never matches the events that happen on the screen. You would get serene or upbeat
music during dramatic scenes (well... such as they are), and dark and brooding
music during happy scenes (again... such as they are). Not to mention the fact
that the lyrics get in the way of dialogue at times. To
be quite fair, the series does improve about halfway through. There is some character
development; the music becomes better attuned to the scenery, and we even see
some actual animation now and then (as opposed to still shots of talking heads).
However, all this just builds up to a somewhat unsatisfying conclusion. Thus,
there are simply not enough redeeming features to save the series. The barely-coherent
fansubs hammer the last nail into the coffin. In
other words, while I would highly recommend getting the soundtrack, the anime
itself is probably not worth your time. Unless, of course, you happen to suffer
from insomnia and are allergic to sedatives. |
| 4. Olmanek

Oh come on! You call that an ending? Once you've watched the
series, sit there for just a few seconds, and ponder the ignominious stupidity
of the ending. Now, try to remember the last 26 episodes, and what they managed
to accomplish in those 26 episodes, don't feel bad if you can't think of anything,
there wasn't anything to remember. As problems occur one must come up with solutions,
and so our well intentioned band of idiots and techno weirdos and weird peculiar
people who wish the days of knights still existed but only so long as it is the
perfect romanticized ideas of them, with pride and courage and honour and a code
of morals, try to reach helpful conclusions to solve the problems, this was the
only impressive thing in the entire series, as I can't for the life of me figure
out how they reached solutions they did, totally unrelated incomprehensible ideas
which everyone agrees on as the best method. Then you have all the things left
unexplained, countless things, and they're not interesting things. This is a wretched
series, and it just seems to get worse and worse as time goes on. Our main character
Tsukasa is weaker and more annoying than Shinji, at least Shinji occasionally
went berserk, Tsukasa just sits around moping and being totally unsocial able
and entirely incomprehensible, that's all, he has one fight scene at the beginning
on the series, ONE! More importantly why anyone would want to befriend this defect
eludes me, no reason is ever given, or why they continue to try and help, or why
they don't appear to have anywhere else to be. Now another thing you have to keep
in mind is that it is set in a game, so, it makes it real hard to worry about
a character dying, it also makes it hard to appreciate any of the tacked on suspense.
The animation was pleasant, very reminiscent of Noir in style, you know,
that severely depressed feeling the whole thing has, and in peculiar contrast
for the dysfunctional characters, it's so very boring. I'm not going to bother
getting any real coherence out of this review, it's not worth it. Terrible series,
should never have been made, if seen destroy it. |
| 2. 3rdEyeVision
   
Tsukasa is one one of millions of players in a game called
" The World". The World is a huge online RPG that reminds me a lot of
a real game called " Ragnarok Online". The story begins with
Tsukasa finding a treasure of some sort that causes him to become stuck in the
game. Why can't Tsukasa log out of the World? Who has given him this awesome power?
What is REALLY going on in The World? Other players join Tsukasa to try and help
this painfully shy player piece together the puzzle. Sounds awesome , right? Well,
it starts out that way too. I was hooked on this show until around the middle
when things get a bit slower and the plot takes a turn for the worst. Sometimes
a show like this comes along and just makes me say " damn it, this started
off great but ended up in the gutter." Is it some part of Japanese culture
to leave the viewer completly confused at the end of a series? NGE did
it, and so does .Hack//SIGN. It starts off strong , like nothing could
de-rail this train , yet somehow , it manages to leave me in the wreckage. The
animation is great, can't complain there, but that can be a pretty minor factor
when you try and remember the show. I recall it looked good, but what ended up
happening in the end again? Maybe this show could be suggested to those who like
to partake in multiple viewings of a 26 episode series, but once is enough for
me , or too much in this case, but it is worth something just because of the original
story and characters. |
| 1. Iodine
  
Though .hack//SIGN has a good premise and plenty of
interesting ideas, somewhere, somehow, things went terribly, terribly wrong. Despite
the involvement of several big industry names, the series comes off as a sloppy,
hamhanded mess. Each episode is driven almost totally by dialogue, which is for
the most part obtuse and annoyingly vague. Though characters say ominous things
and theorize endlessly about everything under the sun, very little ever seems
to get done. The action, despite the fantasy game setting and weapon-wielding
characters, is sparse and uninteresting. The story itself often seems to be stalling
for time, unsure of what it's trying to accomplish. Plot developments come slow
and are very easy to miss or misinterpret. By the infuriatingly incomplete ending,
it's hard to figure how a plot so thin managed to take up twenty-six whole episodes. The
technical elements are also disappointing. With an artistic sensibility very close
to Noir, the series is much more concerned with atmosphere than movement.
The lovely character designs have nothing to do but stand around and talk for
most of their screentime. Yuji Kaijura's music is once again heavily leaned
on to fill in the aesthetic gaps, but the obnoxious choral themes with their nonsense
English lyrics are tedious at best and get worse with overuse. Finally we have
the characters: Tsukasa, Subaru, Mimiru, Bear, BT, Sora, Kinkan, and Kurim, who
are sadly empty and muddled, much like the show the World they inhabit. In short,
.hack//SIGN's only real triumph is in being one of the most severely disappointing
anime ever produced. | | 



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