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Gasaraki

Gasaraki

3 reviews - 10.0 total score (Explanation of the rating system)
avg. score: (3.3)

Alternate Titles
FormatTV Series - 25 Episodes
Publishing Date1998-1999
Animation StudioSunrise
Publisher/BroadcasterBandai Visual
Genre(s)Action / Drama / Sci-fi / Mecha
Crew/CastCreator - Hajime Yadate, Ryosuke Takahashi
Director - Ryosuke Takahashi
AvailabilityR1 - ADV
Related Works
LinksAnimeNfo | Animated Divots

3. Avenant

While Gasaraki may be considered a mecha,this series is difficult to classify due to its complexity. The story is kind of a roller-coaster ride, and tends to be hard to keep up with at times - though it's worth it. We are confronted by the issues of war - and different organisarions have their parts to play in this - it gets compicated, take my word for it.

The animation varies. Sometimes it's exellent, other times it's merely average. But it never falls to "bad". As for music, though I thoroughly enjoyed the intro and outro themes, music during the series is really nothing special. I hardly noticed it.

There is a heavy cast of characters but I won't get into that - they are, for the most part somewhat dull. Herein lies Gasaraki's greatest fault. While it dedicates so much time to its good story, there is hardly any left for the characters, and so the characters can come across as underdeveloped.

Gasaraki remains a very intresting show with a superb storyline. But it has its flaws.


2. Iodine

An extremely complicated, but highly intelligent series that has one of the most realistic stories dealing with mechanized battle armor. Set in the present day, the show follows the machinations of the Gowa family in the politics and economy of Japan. Though the youngest son, pilot Yushiro, is the usual teenaged hero with a dark past to uncover and a mysterious enemy love interest, the characters with the real power are the less prominent ones. Ambitious businessmen, a conflicted military unit, and underground terrrorists have the ability to do far more damage in a setting where the greatest crisis is launched by a U.S. moratorium on grain exports. With a huge cast of characters, plot threads that cross several centuries, and exposition that often never seems to end, it takes a good amount of patience to really follow the story as it is intended. Though there's little to complain about in the action department, this is a political thriller for the most part, and meant for an older audience.

Though the visuals are very well designed, the animation quality varies from episode to episode. The plot is a work of art, but the characters, though well defined and balanced, are rather unsatisfying. Yushiro and Miharu have to be the blandest pair in all of anime, and their relationship is one of perpetual seperations and reunions. Finally, the spiritual themes of the show are gradually pushed aside in favor of the intrigue until the very, very end, by which time it feels more like an afterthought. After the incredible climax that brings closure to the other plot threads, the last episode is a clumsy, disappointing denouement.


1. Tempy

Where to begin... Yushiro Gowa is a quiet young man adept at piloting Tactical Armor mechas, but he's also a Kai with strange powers. There's not much I can say without giving out spoilers, but one thing's for sure, Gasaraki is not your regular mecha show. It has tons of dialogue-heavy political maneuvering, dialogue-heavy mysticism and philosophizing, hard-hitting mecha action, a gazillion characters, and supernatural mumbo-jumbo. The production values are quite good, though some of the CG hurt the eyes. The mecha designs are quite detailed and realistic, and the animation is excellent as well. Though half of the time there's just talk. I guess that gave the creators the extra resources to animate the action bits well :-) The plot is very dense and might seem convoluted at times, but it all makes sense somehow. The whole show is quite intriguing the whole way through, though it can be quite slow at times. I didn't always like the motivation of some characters either: the cryptic idealism had me groaning often. The Patlabor movies had this as well, but at least those weren't dragged out as long as in Gasaraki. Also of note is how a lot of the characters are hard to fit into a "good guy" or "bad guy" slot. This provided to be quite frustrating at times, especially with a certain character, seemingly bent on disrupting civilization and causing strife and suffering, yet highly regarded by all and eventually entrusted with a martyr's role. Had me rolling my eyes in disbelief. I guess I just don't subscribe to his view of the world.

While I think the show is cleverly done, and at times exciting, I can't see myself rewatching it. Partly because the main characters didn't endear me enough. The SSDF crew did provide the little humor the show has, but with so many characters it isn't surprising nobody really gets enough screentime to make a really positive impact.



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