Pom Poko is characterized by a lack of restraint that
runs contrary to many other Ghibli productions. This is without a doubt the most
energetic Ghibli film to date, and only sheer style can be attributed to
the way this energy is directed.
The tanuki are
a race of forest-dwellers who possess the ability to transform into anything (stone,
metal, humans
you name it) and have been able to coexist with humans throughout
the centuries via their cunning and skills. However, Japan is fast becoming industrialized
and many natural areas are earmarked for residential development, so the carefree
tanuki must unify under the common goal of protecting their natural homeland.
The tanuki have separate clans and each tanuki has
individualistic properties (almost more human than the humans) but they are all
bound by a love for fun and nature, which makes this film stand out as sporting
regular bouts of original humour, while making potent remarks about the potential
problems the pruning of nature will produce.
There
is so much going on at once that you should have your fingers on the pause or
rewind buttons so as not to miss anything. Images such as the three monkeys (see
no evil, hear no evil, speak no evil), various depictions of the Buddha, a scissors,
paper, rock contest, and all the other transformation sequences are beauteous
examples of fine anime.
The music is nice, and attempts
to create some atmosphere, but Pom Poko is 99% substance. This is not a
movie where you sit through two hours, and either get hit with a wave of magical
intensity or get struck dumb because you can't 'put your head in the atmosphere'
as the saying goes (invented five seconds ago).
Putting
the fun and environmentalist tendencies aside, Pom Poko portrays a microcosm
of human society. There's a fight for survival, solidarity, courage, politicking,
caring for those who are unskilled, abstinence from procreation, factionalism
it almost sounds like the creation of a socialist state! And not surprisingly,
I can detect traces of George Orwell's Animal Farm in Pom Poko.
Anything that can maintain such undertones while displaying an enjoyable movie
is technically a classic.
Pom Poko can be
divided into several phases as we track the angst and achievements of the tanuki,
but the last third of this movie is what solidifies its five star rating.
The
only qualm I have is that the narrator is utilized too much
he doesn't get
annoying or detract from the movie, and he does give meaningful insights at times,
but I prefer all my anime to be 'show, not tell'.
There
are various cultural references that may be hard to grasp, and in my case, the
company doing the subtitles stuffed up the timing, but it is immensely enjoyable
nevertheless.
Verdict: Bristling with brilliance,
this is Ghibli ecocriticism at its finest